JazzPianoSchool Articles
- 5 Essential Pianists and What You Can Learn From Them
- Arrangement Techniques for Jazz Piano Trio
- Polyrhythms - How To Subdivide Complex Polyrhythms: A Lesson From John Riley
- Polychords: An Introduction To Polychords - Superimposing Upper-Structured Triads To Achieve Richer Harmony
- 5 Tips For Non-Classically Trained Jazz Pianists About Piano Technique
- Improving Solo Piano: Challenges & Orchestration Techniques
- How To Arrange Here's That Rainy Day Like Bill Evans
- Early McCoy vs Late McCoy: How McCoy Tyner's Playing Style Evolved Over Time
- SAQ: Why Do We Practice?
- Problem/Solution: What & How To Practice?
- Behind the Scenes: 3 Takeaways From Barry Harris Masterclass
- Understanding Jazz Theory (Part 1): 3 Most Important Jazz Theory Concepts For A Beginner
- Shaping Lines Rhythmically - Changing Rates: 8ths, Triplets, and 16ths
- Basic Reharmonization: How To Harmonize A Melody & 5 Basic Reharmonization Techniques
- Understanding Jazz Theory (Part 2): Functioning Dominants & 3 Functioning V7 Alterations
- Modal Improvisation - Coltrane's Pursuance: Achieving A Modern Sound
- Accompanying Singers - Hillary Kole "Duets": How To Set Up A Solid Intro
- How To Play Block Chords Like Bill Evans
- What Is A Bebop Scale? And Why Is It Important?
- Fill-Style Comping (Part 1): Oscar Peterson "It's Only A Paper Moon"